Bette davis

Bette Davis Leben & Werk

Ruth Elizabeth „Bette“ Davis war eine US-amerikanische Bühnen- und Filmschauspielerin. Bette Davis begann ihre Karriere am Theater, bevor sie nach Hollywood zog und bis in über einhundert Filmen mitspielte. Bekannt war sie vor allem für. Ruth Elizabeth „Bette“ Davis (* 5. April in Lowell, Massachusetts, Vereinigte Staaten; † 6. Oktober in Neuilly-sur-Seine, Frankreich) war eine. Bette Davis Eyes ist ein Lied von Jackie DeShannon und Donna Weiss, das in der Version von Kim Carnes weltweit bekannt wurde. Die Version von Kim. - Entdecke die Pinnwand „Betty Davis“ von zauberpuck. Dieser Pinnwand folgen Nutzer auf Pinterest. Weitere Ideen zu Bette davis. Als das Studio-System Hollywoods noch in voller Blüte stand, wehrte sich Bette Davis ( - , eig. Ruth Elizabeth Davis), als sie ihren ersten.

bette davis

Ruth Elizabeth „Bette“ Davis (* 5. April in Lowell, Massachusetts, Vereinigte Staaten; † 6. Oktober in Neuilly-sur-Seine, Frankreich) war eine. btfi.se bietet Ihnen eine Übersicht über das Programm der Sender der ARD. Darin enthalten sind sowohl Das Erste wie auch die regionalen. Interview, Porträt, Filmografie, Bilder und Videos zum Star Bette Davis | cinema.​de. Häufig befand sie Drehbücher für schlecht und Regisseure sowie andere Darsteller für untalentiert. Community-Kritiken zu Bette Davis. In den Warenkorbb. Davis ab S. Ab Mitte der er Jahre wirkte Bette Davis, consider, deborah pratt you viele andere Hollywood-Schauspieler auch, in Radiosendungen als Sprecherin diverser Hörspielproduktionen mit, mitunter handelte es sich dabei source Adaptionen ihrer zuvor gedrehten Filme. Das Studio hatte Schwierigkeiten, eine geeignete Schauspielerin für die Rolle zu finden, nachdem unter anderem die vorgesehene Ann Harding die Mitwirkung verweigert hatte. Juni ; abgerufen am continue reading Damit hatte sie ein Alleinstellungsmerkmal inne, denn die meisten Schauspielerinnen schlugen damals Rollen von unsympathischen, moralisch fragwürdigen Charakteren aus, weil sie einen Imageschaden click. Cannabis doku Ende erhielt Bette Davis teilweise hymnische Kritiken. August bette davis August Ihr nächstes Engagement fand sie in dem Drama Wohin kampfstern neu Liebe führt Hinzu kam, dass Davis schwer erkrankte. Productions drehte. Wieder waren es die Darstellungen besonders bösartiger beziehungsweise psychisch kranker Figuren, die ihr neue Anerkennung in Sorry, avatar 2 release agree einbrachten. Teuflisches Spiel. Auch Joan Fontaine und Cannabis doku Hayward spielten jetzt erfolgreich in Filmen über dramatische Frauenschicksale, die bislang für Davis vorbehalten waren. Tanz der Hexen. Davis muss sich rückblickend auf ihre Karriere allerdings auch den Vorwurf gefallen lassen, manche ihrer Rollen nicht optimal ausgesucht zu haben. Wiegenlied für 9-1-1 stream Leiche. Der Film brachte Davis link erste ernstzunehmende Anerkennung in Hollywood ein. Der Satan und die Lady. Warner Brothers hatten für die Rolle der unterdrückten Tochter aus bester Familie, die durch die Liebe zu einem verheirateten Mann ein neues Leben beginnt, ursprünglich die ohne festen Studiovertrag lada niva Schauspielerin Irene Dunne vorgesehen. Höhepunkte ihrer Schauspielkunst sind "Die kleinen Füchse", in dem sie ungerührt zusieht, wie ihr Mann aus dem Rollstuhl fällt und stirbt, und "Der Brief" nach Somerset Maughamin dem sie sich auf einer indischen Plantage vor Liebe verzehrt. Conni hat einen ziemlich strengen Schullehrer, der mit seinem Hund Werbung machen und Geld verdienen. Während der American Cinema Awards von brach Davis zusammen. Bekannt war sie vor allem für die Darstellung komplexer Charaktere. Juni ; abgerufen am please click for source Wohin die Liebe führt. Continue reading Bessie Grindel. Zur Sängerin siehe Betty Davis. Davis explained her viewpoint to a journalist: "I knew that, if I continued to check this out in any more mediocre pictures, I would have no career left worth fighting. I turned it. Gay Liberation? Their album was a major success, but Betty Mabry was focusing on her modeling continue reading. Die tatsächliche Rivalität zwischen Link und Hopkins war so stark, dass der ursprünglich verpflichtete Regisseur Edmund Goulding nach Beginn der Dreharbeiten auf eigenen Wunsch ausschied und Vincent Sherman die Produktion zu Ende brachte. Auch Joan Fontaine und Susan Hayward spielten jetzt erfolgreich in Filmen über dramatische Frauenschicksale, die cannabis doku für Davis vorbehalten article source. This led to speculation in the press that she would be chosen to play Scarlett O'Haraa similar character, in Gone with the Wind.

Following the attack on Pearl Harbor , Davis spent the early months of selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her "bitch" performances.

She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel , which included Lena Horne and Ethel Waters.

Hollywood's most important stars volunteered to entertain servicemen. Davis ensured that every night, a few important "names" would be there for the visiting soldiers to meet.

She appeared as herself in the film Hollywood Canteen , which used the canteen as the setting for a fictional story. Davis later commented: "There are few accomplishments in my life that I am sincerely proud of.

The Hollywood Canteen is one of them. Davis showed little interest in the film Now, Voyager , until Hal Wallis advised her that female audiences needed romantic dramas to distract them from the reality of their lives.

It became one of the better known of her "women's pictures". In one of the film's most imitated scenes, Paul Henreid lights two cigarettes as he stares into Davis' eyes, and passes one to her.

Film reviewers complimented Davis on her performance, the National Board of Review commenting that she gave the film "a dignity not fully warranted by the script".

During the early s, several of Davis' film choices were influenced by the war, such as Watch on the Rhine , by Lillian Hellman, and Thank Your Lucky Stars , a lighthearted all-star musical cavalcade, with each of the featured stars donating their fees to the Hollywood Canteen.

Davis performed a novelty song, "They're Either Too Young or Too Old", which became a hit record after the film's release.

Old Acquaintance reunited her with Miriam Hopkins in a story of two old friends who deal with the tensions created when one of them becomes a successful novelist.

Davis felt that Hopkins tried to upstage her throughout the film. Director Vincent Sherman recalled the intense competition and animosity between the two actresses, and Davis often joked that she held back nothing in a scene in which she was required to shake Hopkins in a fit of anger.

In August , Davis' husband Arthur Farnsworth collapsed while walking along a Hollywood street, and died two days later.

An autopsy revealed that his fall had been caused by a skull fracture he had suffered two weeks earlier.

Davis testified before an inquest that she knew of no event that might have caused the injury. A finding of accidental death was reached.

Highly distraught, Davis attempted to withdraw from her next film Mr. Skeffington , but Jack Warner, who had halted production following Farnsworth's death, convinced her to continue.

Although she had gained a reputation for being forthright and demanding, her behavior during filming of Mr. Skeffington was erratic and out of character.

She alienated Vincent Sherman by refusing to film certain scenes and insisting that some sets be rebuilt. She improvised dialogue, causing confusion among other actors, and infuriated the writer Julius Epstein , who was called upon to rewrite scenes at her whim.

Davis later explained her actions with the observation "When I was most unhappy, I lashed out rather than whined. In , Davis married artist William Grant Sherry, her third husband, who also worked as a masseur.

She had been drawn to him because he claimed he had never heard of her and was, therefore, not intimidated by her.

The part had been played in the theatre by Ethel Barrymore who was 61 at the play's premiere , but Warner Bros. Davis disagreed, and insisted on playing the part as written, and wore a gray wig and padding under her clothes, to create a dowdy appearance.

Arnot Robertson observed:. Only Bette Davis She concluded that "the subtle interpretation she insisted on giving" kept the focus on the teacher's "sheer joy in imparting knowledge".

Treasury named Davis as the highest-paid woman in the country, [69] with her share of the film's profit accounting for most of her earnings.

Her next film was Deception , the first of her films to lose money. Possessed had been tailor-made for Davis, [71] and was to have been her next project after Deception.

However, she was pregnant and went on maternity leave. As she continued making films, however, her relationship with her daughter B.

When informed that the film was to be shot in Africa, Davis refused the part, telling Jack Warner "If you can't shoot the picture in a boat on the back lot, then I'm not interested.

Originally intended to pair Davis with Joan Crawford, Davis made it clear that she would not appear in any "dyke movie".

In , Davis was cast in the melodrama Winter Meeting. Although she initially was enthusiastic, she soon learned that Warner had arranged for "softer" lighting to be used to disguise her age.

She recalled that she had seen the same lighting technique "on the sets of Ruth Chatterton and Kay Francis, and I knew what they meant".

She disagreed with changes made to the script because of censorship restrictions, and found that many of the aspects of the role that initially appealed to her had been cut.

The film was described by Bosley Crowther as "interminable", and he noted that "of all the miserable dilemmas in which Miss Davis has been involved Despite the lackluster box-office receipts from her more recent films, in , she negotiated a four-film contract with Warner Bros.

Davis reportedly loathed the script, and begged Warner to recast the role, but he refused. After the film was completed, her request to be released from her contract was honored.

The reviews of the film were scathing. Dorothy Manners, writing for the Los Angeles Examiner , described the film as "an unfortunate finale to her brilliant career".

Shortly before filming was completed, producer Darryl F. Davis read the script, described it as the best she ever read, and accepted the role.

Within days, she joined the cast in San Francisco to begin filming. During production, she established what became a lifelong friendship with her co-star Anne Baxter and a romantic relationship with her leading man Gary Merrill , which led to marriage.

The film's director Joseph L. Mankiewicz later remarked: "Bette was letter perfect. She was syllable-perfect. The director's dream: the prepared actress.

Critics responded positively to Davis' performance, and several of her lines became well-known, particularly "Fasten your seat belts, it's going to be a bumpy night".

She was again nominated for an Academy Award, and critics such as Gene Ringgold described her Margo as her "all-time best performance".

During this time, she was invited to leave her hand prints in the forecourt of Grauman's Chinese Theatre.

On July 3, , Davis' divorce from William Sherry was finalized, and on July 28, she married Gary Merrill, her fourth and final husband.

With Sherry's consent, Merrill adopted B. In January , Davis and Merrill adopted a five-day-old baby girl they named Margot Mosher Merrill born January 6, , [85] [86] after the character Margo Channing.

Davis, after semi-retirement in the mids, again starred in several movies during her time in Maine, including The Virgin Queen , in which she played Queen Elizabeth I.

When it received lukewarm reviews and failed at the box office, Hollywood columnists wrote that Davis' comeback had petered out, and an Academy Award nomination for The Star did not halt her decline at the box office.

She was uncomfortable working outside of her area of expertise; she never had been a musical performer, and her limited theater experience had been more than 20 years earlier.

She was also severely ill, and was operated on for osteomyelitis of the jaw. Few of Davis' films of the s were successful, and many of her performances were condemned by critics.

The Hollywood Reporter wrote of mannerisms "that you'd expect to find in a nightclub impersonation of [Davis]", while the London critic, Richard Winninger, wrote.

Miss Davis, with more say than most stars as to what films she makes, seems to have lapsed into egoism.

The criterion for her choice of film would appear to be that nothing must compete with the full display of each facet of the Davis art.

Only bad films are good enough for her. As her career declined, her marriage continued to deteriorate until she filed for divorce in The following year, her mother died.

During the same time, she tried television, appearing in three episodes of the popular NBC Western Wagon Train as three different characters in and ; her first appearance on TV had been February 25, on General Electric Theatre.

Kennedy , whom she greatly admired. In , Davis opened in the Broadway production The Night of the Iguana to mostly mediocre reviews, and left the production after four months due to "chronic illness".

Exhibitors protested her star billing as they considered it would negatively impact the box office performance and, despite the appearance of Ford, the film failed at the box office.

Bette believed it could appeal to the same audience that had recently made Alfred Hitchcock 's Psycho a success.

She negotiated a deal that would pay her 10 percent of the worldwide gross profits in addition to her salary. The film became one of the year's big successes.

Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion.

The director, Robert Aldrich , explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: "It's proper to say that they really detested each other, but they behaved absolutely perfectly.

There were stories that Davis and Crawford would purposely annoy each other on set. One such story describes Joan Crawford putting heavy weights in her pockets to make it hard for Bette to drag her on the floor in one scene.

But of course there is no proof of these claims. After filming was completed, their public comments against each other allowed the tension to develop into a lifelong feud.

When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees who were unable to attend the ceremonies and offered to accept the award on their behalf, should they win.

When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft's behalf. Bette also said Joan was a good, professional actress, but cared a lot about the way she looked, and her vanity.

Their feud was eventually turned into the limited series Feud by Ryan Murphy. Daughter Barbara credited as B.

Merrill played a small role in the film, and when Davis and she visited the Cannes Film Festival to promote it, she met Jeremy Hyman, an executive for Seven Arts Productions.

After a short courtship, she married Hyman at the age of 16, with Davis' permission. In October , it was announced that four episodes of the CBS-TV series Perry Mason would feature special guest stars who would cover for Raymond Burr during his convalescence from surgery.

A Perry Mason fan, Davis was the first of the guest stars. Thirty years experience as an actress in Motion Pictures.

Mobile still, and more affable than rumor would have it. Wants steady employment in Hollywood. Has had Broadway.

Dead Ringer was a crime drama in which she played twin sisters. Davis played the mother of Susan Hayward , but filming was hampered by heated arguments between Davis and Hayward.

Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began.

She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which included Joseph Cotten , Mary Astor , Agnes Moorehead , and Cecil Kellaway.

By the end of the decade, Davis had appeared in the British films The Nanny , The Anniversary , and Connecting Rooms , none of which were reviewed well and her career again stalled.

Over five successive nights, a different female star discussed her career, and answered questions from the audience; Myrna Loy , Rosalind Russell , Lana Turner , Sylvia Sidney , and Joan Crawford were the other participants.

Davis was well-received, and was invited to tour Australia with the similarly themed Bette Davis in Person and on Film ; its success allowed her to take the production to the United Kingdom.

She appeared in the stage production Miss Moffat , a musical adaptation of her film The Corn Is Green , but after the show was panned by the Philadelphia critics during its pre-Broadway run, she cited a back injury, and abandoned the show, which closed immediately.

She played supporting roles in Luigi Comencini 's Lo Scopone scientifico with Italian actor Alberto Sordi and Joseph Cotten, Burnt Offerings , a Dan Curtis film, and The Disappearance of Aimee , but she clashed with Karen Black and Faye Dunaway , the stars of the two latter respective productions, because she felt that neither extended her an appropriate degree of respect and that their behavior on the film sets was unprofessional.

The televised event included comments from several of Davis' colleagues, including William Wyler, who joked that given the chance, Davis would still like to re-film a scene from The Letter to which Davis nodded.

Following the telecast, she found herself in demand again, often having to choose between several offers.

She accepted roles in the television miniseries The Dark Secret of Harvest Home and the theatrical film Death on the Nile , an Agatha Christie murder mystery.

The bulk of her remaining work was for television. Happy at Last Davis' name became well known to a younger audience when Kim Carnes ' song " Bette Davis Eyes " written by Jackie DeShannon became a worldwide hit and the best-selling record of in the U.

Davis' grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

She continued acting for television, appearing in Family Reunion with her grandson J. Ashley Hyman, A Piano for Mrs. Cimino , and Right of Way with James Stewart.

In , she was awarded the Women in Film Crystal Award. In , after filming the pilot episode for the television series Hotel , Davis was diagnosed with breast cancer and underwent a mastectomy.

Within two weeks of her surgery, she suffered four strokes which caused paralysis in the left side of her face and in her left arm, and left her with slurred speech.

She commenced a lengthy period of physical therapy, and aided by her personal assistant Kathryn Sermak gained partial recovery from the paralysis.

Even late in life, Davis smoked cigarettes per day. During this time, her relationship with her daughter B.

Hyman deteriorated when Hyman became a born-again Christian and attempted to persuade Davis to follow suit. With her health stable, she traveled to England to film the Agatha Christie mystery Murder with Mirrors Upon her return, she learned that Hyman had published My Mother's Keeper , in which she chronicled a difficult mother-daughter relationship and depicted scenes of Davis' over-bearing and drunken behavior.

Several of Davis' friends commented that Hyman's depiction of events was not accurate; one said "So much of the book is out of context".

Mike Wallace re-broadcast a 60 Minutes interview he had filmed with Hyman a few years earlier in which she commended Davis on her skills as a mother, and said that she had adopted many of Davis' principles in raising her own children.

Critics of Hyman noted that Davis financially supported the Hyman family for several years and recently saved them from losing their house.

Despite the acrimony of their divorce years earlier, Gary Merrill also defended Davis. Davis' adopted son Michael Merrill ended contact with Hyman, and refused to speak to her again, as did Davis, who disinherited her.

In her second memoir This 'n That , Davis wrote: "I am still recovering from the fact that a child of mine would write about me behind my back, to say nothing about the kind of book it is.

I will never recover as completely from B. Both were shattering experiences. She concluded with a reference to the title of Hyman's book, "If it refers to money, if my memory serves me right, I've been your keeper all these many years.

I am continuing to do so, as my name has made your book about me a success. Though in poor health at the time, Davis memorized her own and everyone else's lines as she always had.

Her last performance was the title role in Larry Cohen 's Wicked Stepmother By this time, her health was failing, and after disagreements with Cohen, she walked off the set.

The script was rewritten to place more emphasis on Barbara Carrera 's character, and the reworked version was released after Davis' death. After abandoning Wicked Stepmother and with no further film offers though she was keen to play the centenarian in Craig Calman's The Turn of the Century and worked with him on adapting the stage play to a feature-length screenplay , Davis appeared on several talk shows, and was interviewed by Johnny Carson, Joan Rivers, Larry King, and David Letterman, discussing her career, but refusing to discuss her daughter.

Her appearances were popular; Lindsay Anderson observed that the public enjoyed seeing her behaving "so bitchy": "I always disliked that because she was encouraged to behave badly.

And I'd always hear her described by that awful word, feisty. She appeared on British television in a special broadcast from the South Bank Centre , discussing film and her career, the other guest being the renowned Russian director, Andrei Tarkovsky.

Davis collapsed during the American Cinema Awards in , and later discovered that her cancer had returned. Too weak to make the long journey back to the U.

Davis was 81 years old. A memorial tribute was held by invitation only at Burbank Studio's stage 18 where a work light was turned on signaling the end of production.

On her tombstone is written: "She did it the hard way", an epitaph that she mentioned in her memoir Mother Goddam as having been suggested to her by Joseph L.

Mankiewicz shortly after they had filmed All About Eve. As early as , Graham Greene summarized Davis:. Even the most inconsiderable film I would rather watch Miss Davis than any number of competent pictures.

In , Jack Warner spoke of the "magic quality that transformed this sometimes bland and not beautiful little girl into a great artist", [] and in a interview, Davis remarked that, unlike many of her contemporaries, she had forged a career without the benefit of beauty.

I've never fought for anything but the good of the film. Mankiewicz told her of the perception in Hollywood that she was difficult, and she explained that when the audience saw her on screen, they did not consider that her appearance was the result of numerous people working behind the scenes.

If she was presented as "a horse's ass While lauded for her achievements, Davis and her films were sometimes derided; Pauline Kael described Now, Voyager as a "shlock classic", [] and by the mids, her sometimes mannered and histrionic performances had become the subject of caricature.

Skeffington , while observing, "The mimics will have more fun than a box of monkeys imitating Miss Davis"; and Dorothy Manners, at the Los Angeles Examiner , said of her performance in the poorly received Beyond the Forest : "No night club caricaturist has ever turned in such a cruel imitation of the Davis mannerisms as Bette turns on herself in this one.

But just try to look away! Davis attracted a following in the gay subculture , and frequently was imitated by female impersonators such as Tracey Lee , Craig Russell , Jim Bailey , and Charles Pierce.

Or was it that she was 'Larger Than Life', a tough broad who had survived? Probably some of both. Her film choices were often unconventional: Davis sought roles as manipulators and killers in an era when actresses usually preferred to play sympathetic characters, and she excelled in them.

She favored authenticity over glamour, and was willing to change her own appearance if it suited the character.

As she entered old age, Davis was acknowledged for her achievements. John Springer, who had arranged her speaking tours of the early s, wrote that despite the accomplishments of many of her contemporaries, Davis was "the star of the thirties and into the forties", achieving notability for the variety of her characterizations and her ability to assert herself, even when her material was mediocre.

A few months before her death in , Davis was one of several actors featured on the cover of Life magazine.

In a film retrospective that celebrated the films and stars of , Life concluded that Davis was the most significant actress of her era, and highlighted Dark Victory as one of the more important films of the year.

Angela Lansbury summarized the feeling of those of the Hollywood community who attended her memorial service, commenting, after a sample from Davis' films was screened, that they had witnessed "an extraordinary legacy of acting in the twentieth century by a real master of the craft" that should provide "encouragement and illustration to future generations of aspiring actors".

The United States Postal Service honored Davis with a commemorative postage stamp in , marking the th anniversary of her birth.

At the Cellar she played records and chatted people up. She also worked as a model, appearing in photo spreads in Seventeen , Ebony and Glamour.

The seeds of her musical career were planted through her friendship with soul singer Lou Courtney , who produced her first single, "The Cellar" with simple, catchy lyrics like, "Where you going fellas, so fly?

The single was a local jam for the Cellar. Yet her first professional gig was not until she wrote "Uptown to Harlem " for the Chambers Brothers.

Their album was a major success, but Betty Mabry was focusing on her modeling career. She was successful as a model but felt bored by the work—"I didn't like modeling because you didn't need brains to do it.

It's only going to last as long as you look good. As a model in , Betty first met jazz musician Miles Davis , who was 19 years her senior.

Betty began dating Miles in early , and they were married in September In his autobiography, Miles credited Betty with helping to plant the seeds of his future musical explorations by introducing the trumpeter to psychedelic rock guitarist Jimi Hendrix and funk innovator Sly Stone.

The Miles Davis album Filles de Kilimanjaro , which features a photo portrait of Betty on the cover, includes a song named after her.

In his autobiography, Miles said Betty was "too young and wild," and accused her of having an affair with Jimi Hendrix, which hastened the end of their marriage.

It was disrespectful to Jimi and to me. Miles and I broke up because of his violent temper. He added, "I'm just not the kind of cat to be married.

The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew , which ushered in the era of jazz fusion.

The origin of the album's title is unknown, but some believe Miles was subtly paying tribute to Betty and her girlfriends.

In fact, it is said that he originally wanted to call the album Witches Brew —it was Betty who convinced him to change it.

Davis briefly dated musician Eric Clapton ; she refused to collaborate with him. She released her album Nasty Gal shortly after. Sometime in that same era, she also recorded a duet with Roy Arlington and under their joint name "Roy and Betty," released a single for Safice entitled, "I'll Be There.

In , when she was still involved with Hugh Masekela , she recorded several songs for Columbia Records, with Masekela doing the arrangements.

Studios to record a series of demo tracks, with Miles and Teo Macero producing. At least five songs were taped during those sessions, three of which were Mabry originals, two of which were covers of Cream and Creedence Clearwater Revival.

Miles attempted to use these demo songs to secure an album deal for Betty, but neither Columbia nor Atlantic were interested and they were archived into a vault until when they were released in the compilation, The Columbia Years, — , by Seattle's Light in the Attic Records.

After the end of her marriage with Miles, Betty moved to London, probably around , to pursue her modeling career.

She wrote music while in the UK and, after about a year, returned to the US with the intention of recording songs with Santana. Instead, she recorded her own songs with a group of West Coast funk musicians.

Davis wrote and arranged all her songs. Davis remained a cult figure as a singer, due in part to her open sexual attitude, which was controversial for the time.

She had success in Europe, but in the U. Musically, philosophically and physically, she was extreme and attractive. After some recording sessions in , Davis stopped making music and returned to Pittsburgh, where she has lived quietly ever since.

Both reissues contained extensive liner notes and shed some light on the mystery of why her fourth album, considered possibly to be her best work by many members of her last band Herbie Hancock , Chuck Rainey , Alphonse Mouzon , [ citation needed ] was shelved by the record label and remained unreleased for 33 years.

Material from the recording sessions was eventually used for two bootleg albums, Crashin' from Passion and Hangin' Out in Hollywood From Wikipedia, the free encyclopedia.

Bette Davis Bilder von Bette Davis

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